Kremer

Kremer - Acematt HK125 Size - 100g Very lightweight filler for acrylic paint systems.Add 10-20% Acematt to pigment-acrylic binder paste, to provide bulk and improve consistency. OUT OF STOCK

Canada Balsam is obtained from Canada balsam fir Abies balsamea. Highly viscous, it is unique in its transparency, pale yellow colour, and high refractive index. 

Available in 1L Borax-casein, according to a recipe by Wehlte OUT OF STOCK

Kremer Casein Powder Available in 100g and 1kg precipitated with milk acid, fine powder OUT OF STOCK

Copaiba Balsam comes from South American tree Copaifera landsdorfii. It is highly viscous, with a characteristic fruity odor (it has a high content of essential oil). It is also...

Mixture of different terpenes with dammar (2:1). Glossy, non UV-stabilised

Mixture of different terpenes with dammar (2:1) and bleached beeswax as dulling agent. Matte finish, not UV stabilized.

Mixture of different terpenes with dammar (2:1)

Mixture of different terpenes with dammar (2:1) and bleached beeswax as dulling agent, matte finish. Available in 100ml, 250ml and 1L  

Available in 1L and 5L Previously known as Plextol D. Clear with medium gloss, weather-resistant. Also suitable as an additive for the manufacture of organo-silicate paints. MFT 5°C. Store safe...

Kremer - Plextol B 500 Available in 1L and 5L High quality acrylic binder for making acrylic paints. Glossy. Solids content: 49-50% MFT: 7 °C

Kremer - Fir Turpentine Available in 1L and 3L Standard thinner for oil colours and ingredient in hand-made oil paint mediums and varnishes.Because the solvent has been distilled twice, it is free...

The long lasting painting medium of the baroque period. Black Oil and a special Mastic Varnish are carefully mixed 1:1. The two liquid components change into a thick gel. When stirring the gel can be...

Available in 100g Used to make Copal Varnish and Copal Painting Medium. Generally mixed with linseed oil and driers. The varnish films are glossy.

Available in 100g. Mastic Varnish is very simple to make and comes in its raw form as rounded granules. Popular in the 19th century mastic can be dissolved in alcohol or gum turpentine. It is less...

Kremer - Gum Sandarac (Morocco) Available in 100g and 1kg A hard resin collected from the Alerce tree in North Africa. It comes in rounded granules and is dissolved in alcohol and other solvents to...

Kremer Hide Glue Cubes Available in 100g and 1kg High Jelly Strength, made from cow hide OUT OF STOCK

Size - 1L Stone-crushed linseed pods: Creates a bright pale yellow oil, which has good self-levelling properties, which enables smooth, even paint films. In the longer term, shows less darkening...

Linseed oil with the consistency of liquid honey.

Available in 1Kg Italian, 0 - 32 µ, calcium carbonate Recommended as filler or for gesso OUT OF STOCK

Available in 100ml, 250ml and 1L. Glossy, Scumble Glaze.

Available in 100ml, 250ml and 1L Kremer Oil Paint Medium combines the optical benefits of light walnut oil with the tough, elastic qualities of alkyd.

Available in 100ml, 250ml and 1L Kremer Oil Paint Medium combines the optical benefits of light walnut oil with the tough, elastic qualities of alkyd. 

Marseilles Soap flakes from Olive Oil are used for the cleaning of brushes, palettes and as a hand cleaner. The flaked Marseilles soap can be dissolved into hot water to make a gel for soaking...

Available in 250ml and 1L Pale coloured oil, which dries to provide a matt paint film. A thin coat of paint made with Refined Poppy Oil dries in 7-14 days. Often used for the preparation of whites,...

Pumice flour serves as an aggregate for the plaster and mortar industry and for polishing. Volcanic rock, 0 - 40 µ, from Germany, Eiffel.

Available in 100g and 1kg. Made from rabbit hide. OUT OF STOCK

Available in 100g and 1kg. Fine Grind, Made from rabbit hide.

Available in 250ml, 1L & 5L. Heat-pressed linseed oil, bleached to give a pale colour. Over time, this type of Refined Linseed Oil tends to darken slightly more than Cold Pressed Linseed Oil...

Available in 100g and 1kg. For use in varnishes and polish.

Available in 100g and 1kg. For use in varnishes and polish.  

For use in varnishes and polish. Translucent.

Available in 1L and 3L Shellsol T is a popular almost odourless mineral solvent and is an alternative for Turpentine. Used to dilute oil colours, painting mediums and varnishes as well as for...

Available in 500g Fine white talcum powder to be used as filler in gesso and primers.

Available in 500g. Fine white talcum powder to be used as filler in gesso and primers.

Available in 250ml. Thickener for dispersion paints, synthetic resin plasters, glues.  When added in very small quantities (no more than 10%) to acrylic paint pastes, or directly into...

Venetian Turpentine is a mixture of larch turpentine and colophony rosin, which imparts a hardness to the dried film. Available in 100ml, 250ml and 1L  OUT OF STOCK

Cold-pressed walnut oil is filtered with no additional treatment. It yellows less than linseed oil. It is closer in drying time to poppy oil than linseed, but dries faster than the former. Its...

Size - 100ml A ready to use watercolour paint binder, with preservative. Can be milled with pigment to create satin gloss watercolour paints.Dilutes with water. Used alone, as a top coat, can be...

Available in 180ml. Mixture of beeswax, stand oil and dammar varnish. OUT OF STOCK

artificial mineral pigmentOxides of nickel, titanium and antimony. 

very lightfast, opaqueCadmium pigments are excellently lightfast, opaque and brilliant with high coloring strength, and of the highest purity available.

Hansa yellow

Hansa Yellow  

very lightfast, opaqueCadmium pigments are excellently lightfast, opaque and brilliant with high coloring strength, and of the highest purity available.

golden-orange

synthetic iron oxide

 golden earth pigment

 warm yellow earth pigment, washed

 natural yellow earth

 contains nickel

Yellow.

 red earth pigment, washed

 Italian, No. 3

Italian red earth 

German, mixed red earth, burnt, cool red 

made of cochineal 

genuine, made from natural roots 

bluish dark iron oxide red, Persian red 

 very lightfast, opaque

Bright red 

Opaque 

very lightfast, opaque 

transparent

Opaque 

 

lightfastUltramarine Red is completely lightfast, but is not stable in acids and acid rain. slightly bluish.     OUT OF STOCK

synthetic mineral pigment 

Primary blue 

Steel Blue 

also Milori Blue, Berlin Blue 

synthetic mineral pigment 

synthetic mineral pigment 

synthetic mineral pigment 

according to a recipe from 1820, 0 - 120 µCobalt silicate, contains cobalt. Oldest known man-made cobalt blue. Blue glass powder.  

 Great Lightfastness

natural ultramarineLapis Lazuli is a relatively rare, semi-precious stone which has been prized for its intense blue color since antiquity. There are two areas where Lapis Lazuli is found. It has...

0 - 120 µ    Great lightfastness

blue-green 

Indian, powder, Indigofera tinctoria 

bluishOne might simply call Phthalo Green dark cyan. This corresponds to a large extent to the color of Viridian, however, Pthalo Green is darker and purer, and can be more bluish in tone. Phthalo...

hydrated chrome oxide, bright, transparent   harmful if inhaled. 

intense color, 0 - 120 µNatural copper carbonate, contains copper. Malachite is the most important green up until the 18th century.

enhanced with Viridian Green. Great lightfastness

cool green, opaque 

German 

fine, 

from Cyprus 

Mars Black, synthetic iron oxide, opaque 

stone chalk, great lightfastness

very fine 

bone black, improved qualityBased on bone black but with very high tinting strength. Usually the best qualities of bone blacks are called Ivory Black.  

pure plant black 

0 - 63 µ, glittery, Morrocan, very fine

10 - 60 µ, silky silver, do not breathe the dust. 

natural titanium dioxide, opaque, yellowish 

pure white, highly opaque 

zinc oxide, lead-free, zinc oxide, lead-free

For heavy opaque colours, lowers oil absorption. Barite, barium sulphate, powder.

very bright, brilliant pigment, poor lightfastnessDaylight fluorescent pigments have a bright, glowing appearance. Their vividness can be increased by applications over a white ground. Their...