Winsor & Newton

Available in 75ml, 250ml and 500ml A unique removable matt varnish which may be mixed with Galeria Gloss Varnish to vary the final finish.

Cobalt Violet Hue is a clean rich purple pigment. Its combination pigments resembles genuine Cobalt Violet, a pigment favoured by famous artists such as Monet and Seurat.

Spectrum Red is a strong red gouache colour. It is one of the basic primary colours and is an opaque pigment.

Winsor Red is a warm mid-range red colour, with orange undertones. It is a permanent and lightfast colour.

Cadmium Scarlet is a vivid bright red pigment. It is an opaque pigment and has excellent covering abilities. A by-product of the zinc industry, Cadmium was discovered in 1817.

Prussian Blue is a deep blue colour. It was made by German chemist Diesbach around 1704 making it the first synthetic blue pigment. It quickly gained favour as an alternative to genuine Ultramarine.

W&N Galeria - Fluid Retarder Available 250ml  For extending the drying and working time of acrylic colours. Small amounts (a few drops) will allow for extended blending and manipulation...

Winsor & Newton acrylic varnishes are readily removable with this product, allowing pictures to be cleaned and re-varnished in the future without fear of damage.

Dioxazine Purple is a vivid mid-shade purple pigment. When undiluted, it can be used as a deep black. It is made from a transparent coal tar pigment and was introduced into the Winsor & Newton...

A synthetic lake pigment from the Madder plant, Alizarin Crimson was the first natural dye to be synthesised in 1868. It is a deep transparent red with a blueish undertone.

Acrylic colours dry too rapidly to be used for screen printing. Adding Galeria Screen Printing Medium to the colours will improve flow and slow the drying time, allowing for successful printing.

Cadmium Red is an opaque red pigment with excellent covering properties. It is a genuine single pigment colour and has been favoured for its strong rich colour by artists such as Matisse.

Scarlet Lake is a bright red with orange-yellow undertones. The name stems from a type of fine woollen cloth called scarlet cloth which was often dyed red, leading it to become the pigment's name.

Indigo is a deep blue pigment that can range from dark black to pale blue. Originally extracted from plants similar to blue woad used by the ancient Britons, it was synthesised in 1878 in Germany. It...

Available in 14ml and 30ml.

Cerulean Blue Hue is a bright blue pigment with green undertones. It is a careful combination of pigments closely resembling genuine Cerulean Blue.

Highly transparent with a blue undertone, Permanent Alizarin Crimson is a vivid red colour. Introduced in 1994, it has been formulatedas a highly permanent red pigment.

Bright Red is a vivid red colour. Transparent, it is based on pyrrole, a pigment known for creating the iconic Ferrari red.

Cadmium Red is an opaque red pigment with excellent covering properties. It is a genuine single pigment colour and has been favoured for its strong rich colour by artists such as Matisse.

Turquoise is an opaque blend of green and blue pigments. The name stems from the French 'Turquoise' for the semi-precious stone that was exported to Europe from Persia via Turkey.

Available in 14ml and 30ml.

Cobalt Blue Hue is a clean blue pigment closely resembling Cobalt Blue. Genuine Cobalt was discovered in 1802 by French chemist Thénard as an alternative pigment to the expensive Lapis Lazuli...

Permanent Rose is a bright rose violet colour. It is a transparent quinacridone pigment and was introduced in the Winsor & Newton range in the 1950s.

Winsor Red is a deep crimson red colour. It is a permanent and lightfast colour. 

A rich dark red, Cadmium Red is an opaque single pigment colour. It can be used for dense layers or diluted for soft effect. A by-product of the zinc industry, Cadmium was discovered in 1817.

Intense Green (Phthalo Green) is a brilliant transparent green pigment with a yellow undertone. A modern pigment, it was introduced in 1930s.

French Ultramarine is a rich transparent blue. It was created by French chemist Guimet in 1828 as a synthetic but chemically identical alternative to the expensive pigment derived from Lapis Lazuli.

Process Red is a bright violet red gouache colour. It is one of the basic primary colours and is semi-opaque.

A rich dark red, Cadmium Red is an opaque single pigment colour. It can be used for dense layers or diluted for soft effect. A by-product of the zinc industry, Cadmium was discovered in 1817...

Winsor Red is a warm mid-range red colour, with orange undertones. It is a permanent and lightfast colour.

Winsor Emerald is a bright clean opaque emerald colour. First documented in 1822, it originally contained arsenic, and is said to have killed Napoleon as his wallpaper in St Helens was emerald green...

Phthalo Blue is a deep intense blue which when undiluted, forms an inky blue-black. It is made from the modern pigment Phthalocyanine which was introduced in the 1930s.

Opera Pink is a bright magenta pink colour. It is a semi-opaque gouache.

Quinacridone Red is a vivid mid-red colour. It is a transparent pigment which was first introduced by Winsor & Newton in the 1950s.

Rose Doré is a light rose pigment with a subtle yellow undertone. It is a transparent watercolour with staining properties.

Viridian Hue is a transparent emerald green colour. Named after the Latin for green 'viridis', it closely matches genuine Viridian.

Prussian Blue is a deep blue colour. It was made by German chemist Diesbach around 1704 making it the first synthetic blue pigment. It quickly gained favour as an alternative to genuine Ultramarine.

Bengal Rose is a bright magenta rose colour. It is a semi-opaque gouache.

Permanent Rose is a bright rose violet colour. It is a transparent quinacridone pigment and was introduced in the Winsor & Newton range in the 1950s. 

Quinacridone Red is a vivid mid-red colour. It is a transparent pigment which was first introduced by Winsor & Newton in the 1950s.

Hooker's Green Dark is a rich dark green with a blue tint. A mixed pigment colour, it was originally created by 19th c English botanist illustrator William J Hooker.

Opera Rose is a vivid magenta rose colour.

Winsor Red is a deep crimson red colour. It is a permanent and lightfast colour.

Hooker's Green Light is a rich pale green. A mixed pigment colour, it was originally created by 19th c English botanist illustrator William J Hooker.

Emerald Green is a bright clean emerald colour. First documented in 1822, it was originally a deadly colour containing arsenic. It is said to have killed Napoleon as his wallpaper in St Helens was...

Rose Tyrien is a strong purple-rose colour. It is a semi-opaque colour and its name Tyrien stems from the dye worn by the Roman Caesars

Cobalt Turquoise is a blend of blue and green pigments. The name stems from the French 'Turquoise' for the semi-precious stone that was exported to Europe from Persia via Turkey. 

Rose Madder Genuine is a rose pigment only made by Winsor & Newton. George Field, acclaimed colourist of the 19th c, created a laboratory in which to create the best quality Rose Madder. Made...

Highly transparent with a blue undertone, Permanent Alizarin Crimson is a vivid red colour. Introduced in 1994, it has been formulatedas a highly permanent red pigment.

Sap Green is a bright mid-range green with a yellow undertone. Originally Sap Green was a lake pigment made from unripe Buckthorn berries.

Permanent Green Light is a vivid bright green colour. A mixed pigment colour, it is extremely lightfast and permanent.

Magenta is a rich deep violet red colour. It is a transparent pigment. The name Magenta comes from a lake colour named in 1859 after the battle in Magenta, Italy.

A synthetic lake pigment from the Madder plant, Alizarin Crimson was the first natural dye to be synthesised in 1868. It is a deep transparent red with a blueish undertone. 

A synthetic lake pigment from the Madder plant, Alizarin Crimson was the first natural dye to be synthesised in 1868. It is a deep transparent red with a blueish undertone.

Raw Sienna is a bright brown pigment. One of the oldest pigments, it can be found in prehistoric cave art. It is named after Siena, Italy where the pigment was sourced during the Renaissance.

Chrome Green Hue is a bold opaque green oil colour. Its carefully combined pigments allow it to resemble genuine Chrome Green without the defects of the original pigment.

Viridian Hue is a transparent emerald green colour. Named after the Latin for green 'viridis', it closely matches genuine Viridian.

Highly transparent with a blue undertone, Permanent Alizarin Crimson is a vivid red colour. Introduced in 1994, it has been formulatedas a highly permanent red pigment. 

Permanent Carmine is a mid-crimson pigment. Highly transparent and permanent, it is a lower cost replacement to genuine Carmine. In Antiquity, Carmine was made from thousands of crushed kermes...

Yellow Ochre is a warm yellow. Originally made from natural iron oxides found in earth, it is one of the oldest pigments used by mankind. A synthetic version became available in the 1920s.

Oxide of Chromium is an opaque willow green pigment. Though discovered in 1809 it was only made available for artists in 1862. Today, it is commonly used for camouflage clothing.  

Terre Verte is a soft green colour . It was also known as Verona Green as it was mined for near Verona, Italy. It is a transparent pigment with a low tinting strength perfect for mixing flesh tones.

Brilliant Red Violet is a strong purple colour. It is a semi-opaque pigment with strong tinting qualities.

Permanent Carmine is a mid-crimson pigment. Highly transparent and permanent, it is a lower cost replacement to genuine Carmine. In Antiquity, Carmine was made from thousands of crushed kermes...

Permanent Rose is a bright rose violet colour. It is a transparent quinacridone pigment and was introduced in the Winsor & Newton range in the 1950s.

Burnt Sienna is a rich brown pigment made by burning Raw Sienna. Named after Siena in Italy, where the pigment was sourced during the Renaissance, it is a transparent pigment with red-brown tones.

Sap Green is a bright mid-range green with a yellow undertone. Originally Sap Green was a lake pigment made from unripe Buckthorn berries.

Brilliant Violet is a dark purple colour. It is an opaque pigment with strong tinting qualities.

Cobalt Violet is a delicate semi-transparent purple pigment. It was a new synthetic pigment in the 1860s and was used by famous artists such as Monet and Seurat. 

Rose Madder Genuine is a rose pigment only made by Winsor & Newton. George Field, acclaimed colourist of the 19th c, created a laboratory in which to create the best quality Rose Madder. Made...

Light Red is a red earth pigment based on natural and synthetic iron oxide. It is a permanent, opaque colour with a brown undertone.

Naples Yellow Hue is an opaque warm yellow colour. A combination of pigments, it closely resembles Naples Yellow, whose name comes from its natural deposits in Mount Vesuvius, Naples.

Light Purple is a pale purple colour. It is an opaque gouache colour.

Permanent Mauve is a rich violet colour. It is semi-transparent and lightfast. Mauve, originally a lake pigment, was discovered in England in 1856 by Sir William Perkin. 

Opera Rose is a vivid magenta rose colour.

Indian Red is an opaque red with blue undertones. Originally made of natural red iron oxides found in earth, it is one of the oldest pigments and is favoured for its permanence.

Yellow Ochre is a warm yellow colour. Originally made from natural iron oxides found in earth, it is one of the oldest pigments used by mankind. A synthetic version became available in the 1920s.

Brilliant Purple is a dark purple colour with a blue undertone. It is a semi-opaque pigment.

Winsor Violet (Dioxazine) is a vivid mid-shade purple pigment. When undiluted, it can be used as a deep black. It is a transparent coal tar pigment and was introduced into the Winsor & Newton...

Quinacridone Magenta is a rich deep violet-red colour. It is based on the Quinacridone pigment. The name Magenta comes from a lake colour named in 1859 after the battle in Magenta, Italy.

Raw Umber is a rich brown pigment made from the natural brown clays found in earth. It was named after Umbria, a region in Italy where it was mined.

Raw Sienna is a bright brown pigment. One of the oldest pigments, it can be found in prehistoric cave art. It is named after Siena, Italy where the pigment was sourced during the Renaissance.

Winsor Violet (Dioxazine) is a vivid mid-shade purple pigment. When undiluted, it can be used as a deep black. It is a transparent coal tar pigment and was introduced into the Winsor & Newton...

Ultramarine Violet is a rich purple colour. It is a derivation of French Ultramarine, a synthetic pigment created in 1828 by French chemist Guimet as an alternative to genuine Ultramarine. 

Quinacridone Magenta is a rich deep violet red colour. It is based on the transparent Quinacridone pigment which was introduced in the 1950s.

A rich dark brown pigment, Burnt Umber is made from natural brown clays found in earth. It was named after Umbria, a region in Italy where it was mined. Burning the raw pigment intensifies its colour.

Light Red is a red earth pigment based on natural and synthetic iron oxide. It is an opaque colour with a brown undertone and is permanent.

Spectrum Violet is a deep purple-blue colour. It is an opaque pigment.

Mauve Blue Shade is a violet colour with a strong blue undertone. It is a transparent and lightfast colour. Mauve, originally a lake pigment, was discovered in England in 1856 by Sir William Perkin...

Cobalt Violet is a delicate semi-transparent purple pigment. It was a new synthetic pigment in the 1860s and was used by famous artists such as Monet and Seurat.

Vandyke Brown is a brown pigment named after the Flemish painter Van Dyke who used it in many of his paintings. It is an earth pigment, and is often used for shading.

Indian Red is an opaque red colour with blue undertones. Originally made of natural red iron oxides found in earth, it is one of the oldest pigments and is favoured for its permanence.

Ultramarine is a rich deep transparent blue. It was created by French chemist Guimet in 1828 as a synthetic but chemically identical alternative to the expensive pigment derived from Lapis Lazuli.

Quinacridone Magenta is a rich deep violet red colour. It is based on the transparent Quinacridone pigment which was introduced in the 1950s. 

Permanent Mauve is a rich violet colour. It is semi-transparent and lightfast. Mauve, originally a lake pigment, was discovered in England in 1856 by Sir William Perkin.

Sepia is a black brown colour. Originally made in the 18th from the ink sacks of cuttlefish, it is now made from a mixture of carbon and umber. It is a highly permanent colour.

Burnt Sienna is a rich brown pigment made by burning Raw Sienna. Named after Siena in Italy, where the pigment was sourced during the Renaissance, it is a transparent pigment with red-brown tones.