Golden Fluid Acrylic

Produced with soot from burning gas the dark and fine particle size makes this our darkest most neutral black.   

Made from Amorphous Carbon produced by charring animal bones.

Our most opaque white, made with Titanium Dioxide, this is an essential white for most painters.

Some times referred to as "mixing white" Zinc White provides a more transparent white option for mixing and glazing.

A natural buff Titanium Dioxide pigment, offering very opaque coverage and warm tinting.

A mixture of two Arylide Yellows and Titanium Dioxide, Primary Yellow can be a semi transparent, utility mixer.

'The "Azo" (aye - zoe) is short for Azomethine, Nickel Azo pigment produces a transparent, brownish yellow at full strength but with enormous range. Excellent for creating rich amber glazes or extending further for high-pitched yellows. Tint with white...

Fluid Acrylics are highly intense, permanent acrylic colors with a consistency similar to heavy cream. Produced with only lightfast pigment, not dyes, they offer very strong colors with a fluid consistency. No fillers or extenders are added and the...

On the border of GOLDEN's orange colors, Diarylide Yellow is based on dichlorobenzidine pigment, which offers excellent opacity, lightfastness and durability.   

A deeper orange with Vermillion qualities, Pyrrole has very good lightfast qualities even in tints and glazes.

Some times referred to as "Perinone" Orange, can be used as substitute for Cadmium, Vat Orange is redder and darker than Cadmium orange.

Originally made from mango-leaf-fed cow urine...now urine free!!

A very bright orange-ish, semi-transparent red, is a synthetic pigment with good lightfastness. It is a good choice as an alternative to Cadmium Red Light.

The pigment in our Pyrrole Red, PR254, is also used in automotive finishes because it is exceptionally lightfast, and a very clean, bright red.

Fluid Acrylics are highly intense, permanent acrylic colors with a consistency similar to heavy cream. Produced with only lightfast pigment, not dyes, they offer very strong colors with a fluid consistency. No fillers or extenders are added and...

Another single-pigment quinacridone, Primary Magenta is a semi-opaque mixer that bridges red and violet.

This is a darker variation of our Naphthol Red, serving as an affordable single-pigment alternative to Cadmium Red Medium that is less opaque and lightfast.

Using a warmer variation of the pigment in our Quinacridone Violet, this red reveals more magenta in tints and is, like all of GOLDEN's "Quins" an excellent glazing colour.

Fluid Acrylics are highly intense, permanent acrylic colors with a consistency similar to heavy cream. Produced with only lightfast pigment, not dyes, they offer very strong colors with a fluid consistency. No fillers or extenders are added and...

A transparent "quin," this single pigment color is a terrific start for brilliant reds and pinks as well as fiery glazes that are exactly what one associates with magenta.

A very deep red-violet, this is single-pigment paint with great lightfastness and durability.

A very deep single-pigment violet that is neutral to slightly red in tone, and moderately transparent color.

Prized for its very deep bluish purple, Dioxazine Purple is a single pigment color with exceptional depth. It is slightly less lightfast and more vulnerable to fading in lighter tints. 

Fluid Acrylics are highly intense, permanent acrylic colors with a consistency similar to heavy cream. Produced with only lightfast pigment, not dyes, they offer very strong colors with a fluid consistency. No fillers or extenders are added and...

Historically a very expensive ground lazurite pigment, synthetic pigment has been used since the 1830's making it one of the most popular and affordable blues, Yves Klein blue is mostly Ultramarine.

The reddish variation on this very powerful tinting versatile blue. When used thickly it is dark and opaque, but phthalo makes beautiful transparent glazes. 

The greenish variation on this very powerful tinting versatile blue. When used thickly it is dark and opaque, but phthalo extends beautifully for glazes. 

An exceptionally durable pigment, and costly, the unique depth and intensity of this blue inspired Van Gogh, Renoir and countless other artists.

Golden's interpretation of cyan is phthalo green-shade with a small amount of titanium white for use as a versatile and affordable mixing blue.

With pigment closely related to Cobalt and Cerulean, this chromium variation is a slightly more transparent and more neutral blue well suited for skies in landscape paintings. 

From the Cobalt family. Extremely lightfast, traditionally prized for its use in skies and as a part of many landscape palettes. The Cerulean Blue Deep is deeper and greener than the brighter, more traditional shades.

Fluid Acrylics are highly intense, permanent acrylic colors with a consistency similar to heavy cream. Produced with only lightfast pigment, not dyes, they offer very strong colors with a fluid consistency. No fillers or extenders are added and...

A mixture of Phthalo Blue and Green with Titanium White for a strong tinting, opaque, Teal. 

A deep, opaque Cobalt-based turquoise, this paint is very green in the masstone and reveals more blue in its undertone and glazes.

Fluid Acrylics are highly intense, permanent acrylic colors with a consistency similar to heavy cream. Produced with only lightfast pigment, not dyes, they offer very strong colors with a fluid consistency. No fillers or extenders are added...

 A more blue Turquoise that is a very strong tinting color that reveals cool gem tones in glazing.

Phthalocyanine is among the strongest tinting pigments available, while semi-opaque in masstone or full strength, it makes very transparent glazes.

Phthalocyanine is among the strongest tinting pigments available, this green is semi-opaque, with a warmer yellow-green undertone. 

A semi-opaque mixture of Hansa Yellow and Phthalo green, this color is a versatile medium to dark green.

A rich, warm, green blend created by GOLDEN for painter and abstract phenomenist Paul Jenkins. 

Fluid Acrylics are highly intense, permanent acrylic colors with a consistency similar to heavy cream. Produced with only lightfast pigment, not dyes, they offer very strong colors with a fluid consistency. No fillers or extenders are added and...

A lighter vein of the pigment best known for its use in US currency, it is very durable, lightfast and opaque.

A mixture of green and yellow prized for its warm jewel tones and glazing. This is among the most popular colors in the GOLDEN palette.

Fluid Acrylics are highly intense, permanent acrylic colors with a consistency similar to heavy cream. Produced with only lightfast pigment, not dyes, they offer very strong colors with a fluid consistency. No fillers or extenders are added and...

One of the earliest pigments known to man, ochres are mineral oxides used in colors from the reddish brown to, in this case, yellow-brown range. This very opaque and lightfast color is often considered essential to a painters' palette.

Part of the earth tone family, Yellow Oxide's is slightly more opaque than it's neighbors (Yellow Ochre) and less red, but with similar lightfastness and durability.

The transparent nature of this pigment give it a beautiful glazing quality that is unique among earth tones.

Natural Iron-Oxide is the basis for this single-pigment color, named after the region in Italy where it was first mined. Raw Sienna retains more of its yellowish color because is created prior to the heating process that creates "burnt" sienna.

One of our GOLDEN's popular glazing colors, the brown masstone belies the rich amber-red colors that come through in tints and glazes.

One of the first red pigments known to man, this earth tone is a staple on many artists' palettes. It's incomparably opaque and lightfast, sometimes called Venetian Red, it is warmer than Indian or English Red.

A reddish iron-oxide pigment is the basis for this brown that has a naturally light brown mass-tone that appears more red as it becomes extended in tints and glazes.

Additional heating, or firing of the natural earth pigment creates the darker variation of a classic Sienna earth color.

This is the lighter of GOLDEN's two Burnt Umber paints, with good opacity it extends and tints to a warm to neutral beige color. 

Umber is essentially clay, and this variation on the PBr7 pigment is the lighter (un-burnt) version of this classic earth tone that originated in the Umbria region of Italy. 

Fluid Acrylics are highly intense, permanent acrylic colors with a consistency similar to heavy cream. Produced with only lightfast pigment, not dyes, they offer very strong colors with a fluid consistency. No fillers or extenders are added...

Named after British painter William Payne (1760-1830), early formulas contained indigo, alizarin lake, and ivory black. Today more commonly a mixture of ultramarine blue and black, it is considered easier to control and less intense than black as a...

GOLDEN Iridescent Acrylic Colors used alone or with other colors, gels and mediums, develop nonfading, nontarnishing metallic finishes.

More of a reddish appearance for a very convincing copper look.

GOLDEN Iridescent Acrylic Colors used alone or with other colors, gels and mediums, develop nonfading, nontarnishing metallic finishes.

This is an iridescent gold that has green added to give the dark bronze look, it also creates a verdigris effect when used as a wash.

GOLDEN Iridescent Acrylic Colors used alone or with other colors, gels and mediums, develop nonfading, nontarnishing metallic finishes.

Closest match to what people think of as 14k gold, but the one Iridescent we caution against outdoor use without UV protection due to light  the Nickel/Azo light sensitivity.

GOLDEN Iridescent Acrylic Colors used alone or with other colors, gels and mediums, develop nonfading, nontarnishing metallic finishes. Iridescent Pearl is extremely useful for mixing with other colors for pearl-like qualities.   GOLDEN's...

A classic metallic silver made with mica particles and a hint of black to produce the grey-silver sheen.

GOLDEN Iridescent Acrylic Colors used alone or with other colors, gels and mediums, develop nonfading, nontarnishing metallic finishes. All GOLDEN Mica Flake products offer larger particles for more textural metallic surfaces. Iridescent Stainless...

GOLDEN Iridescent Acrylic Colors used alone or with other colors, gels and mediums, develop nonfading, nontarnishing metallic finishes. All GOLDEN Mica Flake products offer larger particles for more textural metallic surfaces. Iridescent Stainless Steel...