Production of the beautiful barium-based pigment ceased in the early 1990's due to environmental and safety concerns, this modern mixture approximates the richness of manganese safely and affordably.
Fluid Acrylics are highly intense, permanent acrylic colors with a consistency similar to heavy cream. Produced with only lightfast pigment, not dyes, they offer very strong colors with a...
Historical azurite, from copper carbonate minerals, lacks the stability and durability required for modern painting, this mixture affordably approximates azurite's deep greenish blue.
Transparent colour originally made from ground cobalt glass and used in 16th and 17th century European paintings in place of Ultramarine. Historically Smalt loses colour over time, but this modern...
Green earth is best known as the under painting of flesh in medieval painting. To recreate this colour GOLDEN blends six different colours, then reduces opacity with gel medium to match all of the...
Guignet of Paris patented the process for manufacturing Viridian Green in 1859. The popularity of this bright, exceedingly clear blue-green colour led some to believe that it could eventually...
A mixture of ultramarine and phthalo blues with a little titanium white created as an affordable approximation of Cobalt blue at full strength, but with very different mixing properties.
One of the first synthesized pigments, this deep, nearly black colour is alkaline sensitive so not found in acrylic paints. Our modern mixture provides a similar colour with great permanence...
