Pigment Mediums

Available in 250ml, 1L & 5L. Heat-pressed linseed oil, bleached to give a pale colour. Over time, this type of Refined Linseed Oil tends to darken slightly more than Cold Pressed Linseed Oil. Retains directional brush mark striations. A thin coat of...

Available in 250ml and 1L Pale coloured oil, which dries to provide a matt paint film. A thin coat of paint made with Refined Poppy Oil dries in 7-14 days. Often used for the preparation of whites, pale blue and yellow pigments, where delicate colours...

Cold-pressed walnut oil is filtered with no additional treatment. It yellows less than linseed oil. It is closer in drying time to poppy oil than linseed, but dries faster than the former. Its viscosity is lower than that of linseed, and it can...

Available in 250ml. Thickener for dispersion paints, synthetic resin plasters, glues.  When added in very small quantities (no more than 10%) to acrylic paint pastes, or directly into acrylic binder, swells to create impasto gel paste...

Available in 1L and 5L Previously known as Plextol D. Clear with medium gloss, weather-resistant. Also suitable as an additive for the manufacture of organo-silicate paints. MFT 5°C. Store safe from frost. Keeps for 1 year if tightly closed,...

Available in 1L and 3L Shellsol T is a popular almost odourless mineral solvent and is an alternative for Turpentine. Used to dilute oil colours, painting mediums and varnishes as well as for cleaning brushes.Evaporates after 6-8 hours and leaves almost...

Kremer - Plextol B 500 Available in 1L and 5L High quality acrylic binder for making acrylic paints. Glossy. Solids content: 49-50% MFT: 7 °C

Size - 1L Stone-crushed linseed pods: Creates a bright pale yellow oil, which has good self-levelling properties, which enables smooth, even paint films. In the longer term, shows less darkening than Refined Linseed Oils. Standard binding agent for...

Kremer - Fir Turpentine Available in 1L and 3L Standard thinner for oil colours and ingredient in hand-made oil paint mediums and varnishes.Because the solvent has been distilled twice, it is free of resinous compounds – tending not to thicken or...

Size - 100ml A ready to use watercolour paint binder, with preservative. Can be milled with pigment to create satin gloss watercolour paints.Dilutes with water. Used alone, as a top coat, can be used to add extra gloss to dried watercolour paint films...

Kremer - Acematt HK125 Size - 100g Very lightweight filler for acrylic paint systems.Add 10-20% Acematt to pigment-acrylic binder paste, to provide bulk and improve consistency. OUT OF STOCK

This drier is so effective that an excess dose can cause the opposite effect. Therefore use sparingly (0.5% approx.). May slightly tint the color. Contains cobalt, zirconium, zinc and calcium salts. Highly concentrated: use in small doses, i.e. a few...

Size - 200ml Pure acrylic polymer resin, 46% dry extract. Glossy, transparent product suitable for interior and exterior. Provides a smooth, glossy film depending on the percentage of acrylic resin used.

Size - 200ml Provides a matte, opaque paint that can later be reworked with water if desired. A ready-to-use product made from natural gum, glycerin, water and a preservative. If the resulting paste is too thick it can be thinned with small quantities...

Size - 200ml Ready to use for applying multiple layers of colours. Mixed with dry pigments, it provides a flexible consistency. The egg binder emulsion recipe produces a satin-matte finish that does not age or yellow. Film obtained will be smoothed...

Size - 200ml This product contains gum arabic, honey, water and a preservative. When mixed with dry pigments, it provides a smooth, water-soluble paste with a honey like consistency. If paints are too thick, this ready to use medium can be used as a...

Size - 200ml A thick, non yellowing vegetable oil specifically developed for grinding oil colours of optimum consistency. This ready to use binding medium is compatible with all the pigments traditionally used in oil paint. It includes a full, lead free...