Alizarin lake on aluminum hydrate base. Deep, transparent red with a carmine hue. Average lightfastness. High tinting strength. When used in oil, has a tendency to crack. Slow drying. Suitable for all techniques, except fresco.
Nitrogenous “azo” lake. Bright, extremely luminous, transparent red. Principally used in oil, watercolour, tempera and acrylic. Average lightfastness. In oil, used primarily...
This unique range of primaries was especially developed for the Sennelier range of dry pigments. Each of these hues was formulated to offer exactly the same tinting strength, so...
Silico aluminate of sodium polysulfides. In 1828, the chemist Guillemet synthetically reproduced the natural colour of Lapis Lazuli, which had been in use since antiquity...
