Alizarin lake on aluminum hydrate base. Deep, transparent red with a carmine hue. Average lightfastness. High tinting strength. When used in oil, has a tendency to crack. Slow drying. Suitable for all techniques, except fresco.
Nitrogenous “azo” lake. Bright, extremely luminous, transparent red. Principally used in oil, watercolour, tempera and acrylic. Average lightfastness. In oil, used primarily...
This unique range of primaries was especially developed for the Sennelier range of dry pigments. Each of these hues was formulated to offer exactly the same tinting strength, so...
Silico aluminate of sodium polysulfides. In 1828, the chemist Guillemet synthetically reproduced the natural colour of Lapis Lazuli, which had been in use since antiquity...
Iron oxide. Dark, rich brownish red. Provides a transparent film with an excellent tinting strength. Very lightfast and stable in mixtures. Suitable for all techniques,...
Toluidine red. A brilliant organic red, extremely intense and luminous. High tinting strength, average lightfastness. Suitable for all techniques, including oil,...
Fluorescence, which results from the pigments’ ability to transform light, provides unique tonalities that only exist outside nature. These pigments are extremely unstable, and...
