Titanium dioxide. Iridescent pigments undergo surface treatment with mica ; their level of iridescence varies according to the mica content. As a result of reflections and light...
Zinc oxide, which dates back to 18th century painting, was first manufactured by the French chemist Courtois. A stable, non-toxic, semi-transparent pigment that mixes well with all...
Silico aluminate of sodium. Mineral pigment. Suitable for all techniques including fresco. Low tinting strength.Provides a transparent, muted, red-violet film. Very lightfast
Fluorescence, which results from the pigments’ ability to transform light, provides unique tonalities that only exist outside nature. These pigments are extremely unstable, and...
This unique range of primaries was especially developed for the Sennelier range of dry pigments. Each of these hues was formulated to offer exactly the same tinting strength, so...
Fluorescence, which results from the pigments’ ability to transform light, provides unique tonalities that only exist outside nature. These pigments are extremely unstable, and...
Pure synthetic organic pigment with exceptionally high tinting strength. Very good lightfastness. Suitable for all techniques (except fresco). Because of its powerful...
Fluorescence, which results from the pigments’ ability to transform light, provides unique tonalities that only exist outside nature. These pigments are extremely unstable, and...
