Titanium dioxide. Iridescent pigments undergo surface treatment with mica ; their level of iridescence varies according to the mica content. As a result of reflections and light...
Pure synthetic organic pigment with exceptionally high tinting strength. Very good lightfastness. Suitable for all techniques (except fresco). Because of its powerful...
Fluorescence, which results from the pigments’ ability to transform light, provides unique tonalities that only exist outside nature. These pigments are extremely unstable, and...
Zinc oxide, which dates back to 18th century painting, was first manufactured by the French chemist Courtois. A stable, non-toxic, semi-transparent pigment that mixes well with all...
Silico aluminate of sodium. Mineral pigment. Suitable for all techniques including fresco. Low tinting strength.Provides a transparent, muted, red-violet film. Very lightfast
