Phthalocyanine and extenders. Close in appearance to genuine emerald green, but at a much more reasonable price. Luminous green with high tinting strength. Good lightfastness and stability in mixtures. Not recommended for fresco.
Formerly produced in the form of Manganese Blue Genuine until the dangers of its manufacture led to its disappearance. Azure is made from synthetic organic pigments phthalocyanine...
Cerulean Blue Substitute is based on barium sulfate and phthalocyanine blue. This hue, an imitation of genuine cerulean blue, provides remarkable lightfastness. Very high tinting...
Documented by Cennino Cennini, the appearance of Naples Yellow has not been clearly established ; true Naples Yellow is a lead antimonate that was frequently employed in past centuries...
Composition of nitrogenous “azo” pigments that reproduce the genuine Indian Yellow shade. Luminous, very lightfast, transparent pigment. Frequently employed for warming up hues...
French Vermilion SubstituteThe mineral known as Cinnabar dates back to antiquity; the Romans called it minium. In 1687, Schulte used mercury to create the Vermilion pigment, named...
