Golden

Produced with soot from burning gas the dark and fine particle size makes this our darkest most neutral black.   

Made from Amorphous Carbon produced by charring animal bones.

Golden - Absorbent Ground (White) Available in 236ml, 473ml, 946ml and 3.78L GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that dries to a porous, paper-like surface. Applied over...

Fiber Paste when dry has the appearance of handmade paper. It can be skimmed with a wet palette knife to make a smoother surface. The dry off-white color is absorbent, making it ideal for use...

Golden - Gesso Black Available in 236ml, 473ml, 946ml and 3.78L GOLDEN White and Black Gessos are ready-to-use liquid grounds formulated for the use of acrylics on any commonly used painting...

Golden - Gesso White Available in 236ml, 473ml, 946ml and 3.78L GOLDEN White and Black Gessos are ready-to-use liquid grounds formulated for the use of acrylics on any commonly used painting...

Pastel Ground Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates toothy surface similar to papers used with pastel and chalk. For an even rougher...

Golden - Sandable Hard Gesso Available in 237ml, 473ml, 946ml and 3.78L GOLDEN Sandable Hard Gesso is formulated with 100% acrylic polymer emulsion and can be sanded to provide surfaces that are...

Golden - Soft Gel (Gloss) Available in 237ml, 473ml, 946ml and 3.78L Soft Gels - Thinner than GOLDEN Heavy Body Acrylic colours, Soft Gels are moderately pourable. Hold only slight peaks. The...

Our most opaque white, made with Titanium Dioxide, this is an essential white for most painters.

A warmer black, its name comes from the use of charred animal bone, as a pigment.

Produced with soot from burning gas the dark and fine particle size makes this GOLDEN's darkest most neutral black.

Somewhat warmer than Carbon Black, made with black iron oxide.

GOLDEN'S most opaque white, made with Titanium Dioxide, this is an essential white for most painters. 

Sometimes referred to as "mixing white" Zinc White provides a more transparent white option for mixing and glazing.

Golden - Soft Gel (Semi Gloss) Available in 236ml, 473ml, 946ml and 3.78L Soft Gels - Thinner than GOLDEN Heavy Body Acrylic colours, Soft Gels are moderately pourable. Hold only slight peaks. The...

Some times referred to as "mixing white" Zinc White provides a more transparent white option for mixing and glazing.

Inspired by the flower native to Western Europe, this is the palest of four single pigment [PY35] Cadmium Yellows offered by GOLDEN.

An inorganic pigment, sometimes called Nickel Titanate Yellow, it might be the coolest yellow GOLDEN offers, it is very pale and may show a faint greenish cast.

Golden - Soft Gel (Gloss) Available in 236ml, 473ml, 946ml and 3.78L Soft Gels - Thinner than GOLDEN Heavy Body Acrylic colours, Soft Gels are moderately pourable. Hold only slight peaks. The...

A natural buff Titanium Dioxide pigment, offering very opaque coverage and warm tinting.

Golden - Regular Gel (Gloss) Available in 236ml, 473ml, 946ml and 3.78L Regular Gels - Same creamy consistency as GOLDEN Heavy Body Acrylic colours. Ideal for extending paint and regulating...

A bright, clean yellow. This inorganic pigment has the strength, opacity and lightfastness of a Cadmium, but without the UV/moisture sensitivities, making it an ideal yellow for outdoor use.

Golden - Regular Gel (Semi Gloss) Available in 236ml, 473ml, 946ml and 3.78L Regular Gels - Same creamy consistency as GOLDEN Heavy Body Acrylic colours. Ideal for extending paint and regulating...

A mixture of two Arylide Yellows and Titanium Dioxide, Primary Yellow can be a semi transparent, utility mixer.

On the lighter end of GOLDEN's Cadmium Yellow offering, this yellow is slightly more intense than Primrose with good covering power.

Golden - Regular Gel (Matte) Available in 236ml, 473ml, 946ml and 3.78L Regular Gels - Same creamy consistency as GOLDEN Heavy Body Acrylic colours. Ideal for extending paint and regulating...

GOLDEN Primary Cyan, Magenta and Yellow in the HB line should be of special interest to artists who want a totally pared down palette or who are in need of a tool for teaching about colour mixing and...

Golden - Heavy Gel (Gloss) Available in 236ml, 473ml, 946ml and 3.78L Heavy Gels - Thicker consistency than GOLDEN Heavy Body Acrylic colours. Blend with colours to increase body. Good for holding...

Golden - Heavy Gel (Semi-Gloss) Available in 236ml, 473ml, 946ml and 3.78L Heavy Gels - Thicker consistency than GOLDEN Heavy Body Acrylic colours. Blend with colours to increase body. Good for...

Fluid Acrylics are highly intense, permanent acrylic colors with a consistency similar to heavy cream. Produced with only lightfast pigment, not dyes, they offer very strong colors with a fluid...

'The "Azo" (aye - zoe) is short for Azomethine, Nickel Azo pigment produces a transparent, brownish yellow at full strength but with enormous range. Excellent for creating rich amber glazes or...

Like all Cadmium Yellows, this is a bright clean color with good opacity, however the sensitivity to ultra-violet light and moisture prevent us from recommending it for outdoor use.

Golden - Heavy Gel (Matte) Available in 236ml, 473ml, 946ml and 3.78L Heavy Gels - Thicker consistency than GOLDEN Heavy Body Acrylic colours. Blend with colours to increase body. Good for holding...

On the border of GOLDEN's orange colors, Diarylide Yellow is based on dichlorobenzidine pigment, which offers excellent opacity, lightfastness and durability.   

A mixture of pigments designed to replicate Cadmium Yellow with out the heavy metal or it's expense.

 Excellent lightfastness, bright and transparent yellow.

Golden - Extra Heavy Gel (Semi Gloss) Available in 236ml, 473ml, 946ml and 3.78L Extra Heavy Gels - Thicker consistency than GOLDEN Heavy Body Acrylic colours. The thickest of GOLDEN gels, along...

 Excellent lightfast and permanent yellow.

Filling in the deepest, more orange end of GOLDEN's Cadmium Yellow family, this paint offers the opacity and intensity you expect from Cadmium colours.

Golden - Extra Heavy Gel (Matte) Available in 236ml, 473ml, 946ml and 3.78L Extra Heavy Gels - Thicker consistency than GOLDEN Heavy Body Acrylic colours. The thickest of GOLDEN gels, along with...

A deeper orange with Vermillion qualities, Pyrrole has very good lightfast qualities even in tints and glazes.

On the border of GOLDEN's orange colours, Diarylide Yellow is based on dichlorobenzidine pigment, which offers excellent opacity, lightfastness and durability.

Some times referred to as "Perinone" Orange, can be used as substitute for Cadmium, Vat Orange is redder and darker than Cadmium orange.

Prized by artists for its brilliant and lightfast qualities, the Cadmium pigment requires careful handling for artist health and safety.

Originally made from mango-leaf-fed cow urine...now urine free!!

Some times referred to as "Perinone" Orange, can be used as substitute for Cadmium, Vat Orange is redder and darker than Cadmium orange.

Used to create textured surfaces. Dries to a hard film. To increase its flexibility, mix in other GOLDEN Gels or mediums. Blends with GOLDEN Acrylic colours. Useful as a ground for pastels.

A deeper orange with Vermillion qualities, Pyrrole has very good lightfast qualities even in tints and glazes.

Golden - Coarse Pumice Gel Available in 236ml, 473ml, 946ml and 3.78L Pumice Gels - Used to create textured surfaces. Dries to a hard film. To increase its flexibility, mix in other GOLDEN Gels or...

A very bright orange-ish, semi-transparent red, is a synthetic pigment with good lightfastness. It is a good choice as an alternative to Cadmium Red Light.

Golden - Extra Coarse Pumice Gel Available in 236ml, 473ml, 946ml and 3.78L Pumice Gels - Used to create textured surfaces. Dries to a hard film. To increase its flexibility, mix in other GOLDEN...

The pigment in our Pyrrole Red, PR254, is also used in automotive finishes because it is exceptionally lightfast, and a very clean, bright red.

The lightest variation of GOLDEN's single-pigment Cadmium Reds, this colour is highly regarded for its opacity and intensity. It is a synthesized colour first used in the early 1900's.

Self Levelling Clear Gel - Designed to produce an even film with excellent clarity. The gel has a unique resinous, stringy consistency resulting from the levelling property. This product dries to a...

Fluid Acrylics are highly intense, permanent acrylic colors with a consistency similar to heavy cream. Produced with only lightfast pigment, not dyes, they offer very strong colors with a...

An excellent substitute for Cadmium Red Light, Pyrrole Red Light produces a very clean red that is slightly less opaque and more orange than the Cadmium.

Clear Tar Gel - Designed to yield a putty, tar-like feel, but in a colourless gel. This gel has an extremely resinous and stringy consistency, which makes it feel very different than other acrylics...

Another single-pigment quinacridone, Primary Magenta is a semi-opaque mixer that bridges red and violet.

The pigment in this Pyrrole Red, PR254, is also used in automotive finishes because it is exceptionally lightfast, and a very clean, bright red.

Golden - Clear Granular Gel Available in 236ml, 373ml, 946ml and 3.78L Clear Granular Gel - Used to create textured surfaces. Dries to a hard film. To increase its flexibility, mix in other GOLDEN...

This is a darker variation of our Naphthol Red, serving as an affordable single-pigment alternative to Cadmium Red Medium that is less opaque and lightfast.

Clean, dark and rich, this beautiful organic red pigment fills the space between Cadmium Red Dark and Medium. It is a non-toxic, higher chroma alternative to Cadmium Red Dark that can be used for...

Using a warmer variation of the pigment in our Quinacridone Violet, this red reveals more magenta in tints and is, like all of GOLDEN's "Quins" an excellent glazing colour.

A very bright orangish, semi-transparent red, is a synthetic pigment with good lightfastness. It is a good choice as an alternative to Cadmium Red Light.

Cadmium Red Medium became the most widely used red shortly after it was synthesized in 1907 because it offered greater permanence and intensity than the mostly plant-based reds used up to that time.

Cadmium Red Medium Hue is a more economical and non-toxic alternative to GOLDEN's single pigment paint. It offers brilliant colour but it is slightly more transparent and not as lightfast as actual...

Fluid Acrylics are highly intense, permanent acrylic colors with a consistency similar to heavy cream. Produced with only lightfast pigment, not dyes, they offer very strong colors with a...

Available in 236ml, 473ml, 946ml and 3.78L Molding Paste - Excellent for building surfaces and creating textures. Dries to a hard, yet flexible, opaque film. Blends with GOLDEN Acrylic colours.

GOLDEN's darkest Cadmium Red, it offers good opacity and clean color that bridges red and maroon, with excellent lightfastness.  

Golden - Hard Molding Paste Available in 236ml, 473ml, 946ml and 3.78L Hard Molding Paste - Dries to an extremely hard, opaque film. This product is useful for creating tough, durable finishes for...

A transparent "quin," this single pigment color is a terrific start for brilliant reds and pinks as well as fiery glazes that are exactly what one associates with magenta.

GOLDEN Primary Cyan, Magenta and Yellow in the HB line should be of special interest to artists who want a totally pared down palette or who are in need of a tool for teaching about color mixing and...

Available in 236ml, 473ml, 946ml and 3.78L Light Molding Paste - Offers dramatic weight reductions when building thick layers of acrylic. The density of the wet product is over 50% less than GOLDEN...

A very deep red-violet, this is single-pigment paint with great lightfastness and durability.

This is a darker variation of our Naphthol Red, serving as an affordable single-pigment alternative to Cadmium Red Medium that is less opaque and lightfast.

Crackle Paste is a thick, opaque cracking material designed to develop deep fissure-like cracks as it cures. The size and extent of the crackle pattern is dependent on many factors, including the...

Using a warmer variation of the pigment in Quinacridone Violet, this red reveals more magenta in tints and is, like all of GOLDEN's "Quins" an excellent glazing color.

Golden - GAC 100 Multi Purpose Acrylic Polymer  Available in 236ml, 473ml, 946ml and 3.78L GAC 100: Universal Acrylic Polymer / S.I.D. Blocker / Most Flexible GAC Polymer. This polymer is...

A very deep single-pigment violet that is neutral to slightly red in tone, and moderately transparent color.

Golden - GAC 200 Film Hardener Available in 236ml, 473ml, 946ml and 3.78L GAC 200: Increases Film Hardness of Acrylic Paints / Increased Non-porous Surface Adhesion. The hardest and least...

Prized for its very deep bluish purple, Dioxazine Purple is a single pigment color with exceptional depth. It is slightly less lightfast and more vulnerable to fading in lighter tints. 

A modern version of historical Alizarin Crimson, which was a substitute for Rose Madder, a dye use for the British Red Coats. GOLDEN's mix of quinacridone and phthalo make this exceptionally...

Golden - GAC 400 Stiffens Textiles Available in 236ml, 473ml, 946ml and 3.78L GAC 400: Fabric Stiffener / Rabbit Skin Glue Alternative. Dries to a very hard and stiff film. Most useful for...

Fluid Acrylics are highly intense, permanent acrylic colors with a consistency similar to heavy cream. Produced with only lightfast pigment, not dyes, they offer very strong colors with a...

People who remember the old Napthalmide maroon, which was very popular in its day, might recognize this as a close approximation to that storied color.

Golden - GAC 500 Extender Available in 236ml, 473ml, 946ml and 3.78L GAC 500: Self Levelling Applications / Hard Yet Flexible / Best Isolation Coat Medium for Spray-Application. Unique balance...

Historically a very expensive ground lazurite pigment, synthetic pigment has been used since the 1830's making it one of the most popular and affordable blues, Yves Klein blue is mostly Ultramarine...

A transparent "quin," this single pigment color is a terrific start for brilliant reds and pinks as well as fiery glazes that are exactly what one associates with magenta.

A darker tint, this paint is conveniently mixed where many painters like to start using Quin Magenta, a 1:1 mixture with Titanium White.  

The reddish variation on this very powerful tinting versatile blue. When used thickly it is dark and opaque, but phthalo makes beautiful transparent glazes. 

Essentially a lighter tint of Quinacridone Magenta, it is a convenient color for artists who want to mix and paint in the pastel color range.

Golden - GAC 900 Available in 237ml, 473ml, 946ml and 3.78L GAC 900: Increases Launderability of Acrylic Paint. Designed to be used as a modifier for acrylic paints for painting on clothing...

The greenish variation on this very powerful tinting versatile blue. When used thickly it is dark and opaque, but phthalo extends beautifully for glazes. 

This is a convenience mixture of Dioxazine Purple and Titanium white that delivers a classic purple tint straight from the tube. 

Available in 236ml, 473ml, 946ml and 3.78L Formerly known as Polymer Medium (Gloss). A general purpose liquid medium useful for creating glazes, extending colours, enhancing gloss and translucency...

An exceptionally durable pigment, and costly, the unique depth and intensity of this blue inspired Van Gogh, Renoir and countless other artists.

A very deep red-violet, this is single-pigment paint with great lightfastness and durability.

Colour Pouring Medium Gloss Mix Heavy Body, Fluid, or High Flow Acrylics into Colour Pouring Medium Gloss for an almost opaque, glossy and level appearance. Colour Pouring Medium...

Colour Pouring Medium Matte Mix Heavy Body, Fluid, or High Flow Acrylics into Colour Pouring Medium Gloss for an almost opaque, glossy and level appearance. Colour Pouring Medium...