Sennelier

 

Cerulean Blue Substitute is based on barium sulfate and phthalocyanine blue. This hue, an imitation of genuine cerulean blue, provides remarkable lightfastness. Very high tinting...

 

 

 

Cobalt aluminate. A unique turquoise hue whose brightness cannot be matched in other mixtures. Excellent lightfastness. To retain its unique vividness in oil painting, use it with...

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Silico aluminate of sodium polysulfides. In 1828, the chemist Guillemet synthetically reproduced the natural colour of Lapis Lazuli, which had been in use since antiquity...

 

 

Ultramarine Blue Deep Silico aluminate of sodium polysulfides. Preparation identical to that of Ultramarine Blue light. A deep, very intense shade, more purple than Ultramarine...

 

 

Sennelier Watercolour - Sennelier Blue Available in Half Pan and 10ml Tube Series 1 Sennelier Extra - Fine Water Colours are ground in the traditional fashion on granite grindstones that revolve...

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Silico aluminate of sodium. Mineral pigment. Suitable for all techniques including fresco. Low tinting strength.Provides a transparent, muted, red-violet film. Very lightfast

 

 

 

Indanthrone blue. Synthetic organic pigment. Reproduction of true indigo, which comes from an Indian plant. Very high tinting strength. Remarkable lightfastness. Provides...

 

 

 

Ferric ferrocyanide. Discovered in Prussia at the beginning of the 18th century. Difficult to grind and moisten. Very high tinting strength. Good lightfastness (contrary to...

 

 

 

Pure synthetic organic pigment with exceptionally high tinting strength. Very good lightfastness. Suitable for all techniques (except fresco). Because of its powerful...

 

 

 

 

 

 

Synthetic organic pigment. Its characteristics are identical to those of Phthalocyanine Blue, but in a brillant rich green hue.  

 

 

Sennelier Watercolour - Phthalocyanine Turquoise Available in Half Pan and 10ml Tube Series 2 Sennelier Extra - Fine Water Colours are ground in the traditional fashion on granite grindstones...

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Phthalocyanine and extenders. Close in appearance to genuine emerald green, but at a much more reasonable price.Luminous green with high tinting strength. Good lightfastness and...

 

 

 

 

 

 

 

 

 

 

Anhydrous Chromium Oxide. Dull green hue. Excellent tinting strength and covering power. Very good lightfastness and stability in mixtures. When used in oil, provides a...

 

 

 

Natural, clay-base yellow. A warm, slightly transparent colour.